Item No.
376945
Wassily Chair
$3,009.00
Item No.
376945
Wassily Chair
$3,009.00
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- Stamped with the KnollStudio logo and the designer's signature.
- The Wassily Chair is a registered trademark of Knoll, Inc.
- Made in Italy.
- 28.75" H 31" W 27" D
Shipping Options
- Threshold Delivery, In-Home Delivery
Return Options
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5-year warranty (terms and conditions may vary)
Designed by Marcel Breuer for Knoll®
Manufacturer SKU:
Wassily Chair
Wassily Chair
$3,009.00
Gallery
A daring departure from the norm —
In spirit and stature, Marcel Breuer's Wassily Chair (1925) from Knoll has few equals. Believed to be the first bent tubular steel chair design, the Wassily Chair distills the traditional club chair to a series of strong, spare lines, executed with dynamic material counterpoint.
Details
Inspired by the curving handlebars of the Adler bicycle, the Wassily’s chrome-finished tubular steel frame is seamless in its assemblage. The design’s seating surfaces – cowhide leather, belting leather, or canvas slings – maintain their crisp tautness for decades. Named for Wassily Kandinsky, the father of abstract painting and a colleague of Breuer's at the Bauhaus, the Wassily Chair is a symbol of the industrial heroism and engineering invention of the early 20th century. Made in Italy.
- Stamped with the KnollStudio logo and the designer's signature.
- The Wassily Chair is a registered trademark of Knoll, Inc.
- Made in Italy.
- Brand
- Knoll®
- General Dimensions
-
- 28.75" H 31" W 27" D
- Box Dimensions
-
- 30" H 29" W 32" D
- Assembly
- Comes fully assembled
- Warranty
- 5-year warranty (terms and conditions may vary)
Wassily Chair
- Height (in): 28.75
- Width (in): 31
- Depth (in): 27
- Tubular steel frame with polished chrome finish
- 100% natural cotton canvas slings
- 100% vegetable-tanned, aniline-dyed Spinneybeck® belting leather slings
- Cowhide leather slings
- Plastic glides
Marcel Breuer
Sparked by bicycle handlebars, Marcel Breuer’s tubular steel chairs were a daring departure from traditional wood furniture and major icons of the International Style in early 20th Century. “Mass production,” Breuer said, “made me interested in polished metal, in shiny and impeccable lines in space, as new components of our interiors.”
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